The treatment of containment and movement in Keats'"Ode On a Grecian Urn" and Stevens'"Anecdote of a Jar".

Ever since Ive known the Japanese serviceman who sits on the bulging surface of my teapot, he has yet to make a move. He has never savoured the hand of the woman who is forever out of reach. adynamic colours, like those of an emptied , poured out sun, eternally unrealize the slopes of that hill. And the whole scene observes a result of sorrow- a sorrow more faithful than the unity that right now fills, without filling, the hollowness of my weary hours. In this mirror image by the Portuguese poet Pessoa we are introduced to the whimsicality of a heartbeat being guard ined, forever frozen in sequence. This notion of containment and the adversary to the nature of this force is an ideal lens through with(predicate) which we power examine Keatss Ode on a Grecian Urn and Stevens novel of the daze. Through the accustom of similar iconography, even unmatched seen on a teapot, the moment is not only contained save sustained. Pessoa describes how fine art can continua lly represent what time dissipates so that we dexterity further our appreciation of an occasion or situation which in itself is too ephemeral, or too emotionally demanding when directly experienced, to go out for detailed interpretation.

These works by Keats and Stevens differ in several(prenominal) areas: style, tone, meter and content and yet two are inextricably linked in that they both(prenominal) hold or contain images in time through the use of a man made object. Importantly the objects in both poems are forms of containers. The genuinely nature of a container proposes the idea of restraint. A container keeps things- keeps things in and keeps thin! gs out, and its raison detre is to value matters from decay. Containers, then are always symbolic of struggle - the support to be released versus the desire to... If you want to provoke a full essay, order it on our website: BestEssayCheap.com

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